My soul dances with Ampouailh’s “Lang(u)ages”!

I have never been to France, so I haven't been to Brittany/Bretagne/Breizh either. I guess I should visit that northwestern corner of France, because it has a fabulous culture of Celtic music, there's a unique Celtic language and the history of the region is fascinating. And it's where the village of Asterix was located, so … Continue reading My soul dances with Ampouailh’s “Lang(u)ages”!

Mànran’s “To The Wind” – a band in transition?

Bands change over time, if they last long and have musical vitality and dignity. In rock,my favorites like Rush, Genesis, Jethro Tull and XTC went through so many periods and styles, it makes zero sense to answer briefly when someone asks "what's their music like?" Mànran have been for 15 years in the groundbreaking frontline … Continue reading Mànran’s “To The Wind” – a band in transition?

“Allt vol. 2: Cuimhne” – beauty upon beauty

I admit it: early this year I firmly intended to listen to and write about the then newly released sequel to the first Allt album. I did not, because it had been a working day and I fell soundly asleep during the second track and only woke to the sound of silence telling me the … Continue reading “Allt vol. 2: Cuimhne” – beauty upon beauty

Beoga are back with the hugely enjoyable “Phases”

Admitted: I wasn't too happy with Beoga's previous album Carousel all of five years ago. This band was one of the first in the Celtic scene that I really got into when I had my conversion to Celtic and later English and Nordic folk music. Their first three albums really made an impression and confirmed … Continue reading Beoga are back with the hugely enjoyable “Phases”

Ímar: Awakening (2023)

The pan-Celtic supergroup released their third album a year ago but only now I finally got to listening to it. The big revelation this time was that there was no revelation: Ímar are just as brilliant on Awakening as they have been on their previous albums, and their style is pretty much unchanged since the … Continue reading Ímar: Awakening (2023)

Looking back on Greenwoods – Upon a Celtic Path (1998) by Paul Machlis

Paul Machlis is an American composer and pianist who collaborated with Alasdair Fraser in the 1980's and 1990's. Theit duo album, Skyedance (1986), is one of my favorites, an excellent work for fiddle and piano. Greenwoods is his second solo album, if I'm not mistaken. It's an absolutely lovely work, instrumental music with recognizably Celtic … Continue reading Looking back on Greenwoods – Upon a Celtic Path (1998) by Paul Machlis

Tim Edey’s Xmas is simply lovely (even if it’s not always all that Celtic)

I don't know what I really expected from the instrumental wizard Tim Edey's Christmas album - but it sure wasn't what I got, and that is just great! Because when it's Tim Edey's A Celtic Christmas and because there's Ross Ainslie, Donald Shaw and Steve Cooney, one would probably think of classic seasonal tunes played … Continue reading Tim Edey’s Xmas is simply lovely (even if it’s not always all that Celtic)

An (almost) epic Irish double feature: Muireann Nic Amhlaoibh, Seo Linn

As dedicated and committed as Ireland is to her traditional music, Irish folk and trad musicians do move with the times. It’s been a great couple of days listening to two very different albums by Irish artists with their own vision. Muireann Nic Amhlaoibh and the Irish Chamber Orchestra’s Róisín ReImagined was released a few … Continue reading An (almost) epic Irish double feature: Muireann Nic Amhlaoibh, Seo Linn

Celtic Connections 2023: Peatbog Faeries, with Mec Lir

It was obvious all along that on Friday night, Feb 3, the Old Fruitmarket would be dancing and yelling wildly. With two major Celtic party teams on stage, any other possibility was out of the question. As the headline act, the current lineup of Peatbog Faeries took the stage in dramatic backlighting and instantly revved … Continue reading Celtic Connections 2023: Peatbog Faeries, with Mec Lir

Album Review / Mànran: Ùrar

In the course of any band's evolution, there can sometimes appear a point that separates a previous version of the band from the one that's taken its place, even when the name and the overall style remain. As in Genesis after Peter Gabriel, or Deep Purple with Steve Morse instead of Richie Blackmore on the … Continue reading Album Review / Mànran: Ùrar