You are most welcome to my Celtic and British folk and trad music fan site - so glad you found it! I'm building this site to be a gateway to a wonderful musical universe, especially to those who are now getting interested in it and want to discover the people and the bands in this … Continue reading Welcome to a work in progress…!
Artist Intro: Flook
Photo by Naoki Fujioka, from the Flook web site Since you’re reading this, you’re almost certainly already more or less familiar with Flook, so I feel kind of foolish writing this. But in the unlikely but theoretically possible event you’ve never heard of them... Flook are an Irish-British contemporary folk band founded in 1995. The … Continue reading Artist Intro: Flook
Album Review: A John Doyle Double Feature
John Doyle, Ireland’s great gift to guitar in folk music, has obviously been a busy guy lately. His latest solo effort, Path Of Stones, came out in the spring and the collaboration album with a certain Mr. McGoldrick was released just a wee moment ago. Since I was not writing here too much during spring, … Continue reading Album Review: A John Doyle Double Feature
Artist Intro: Fiona J. Mackenzie
Fiona J. Mackenzie photo at wikipedia Fiona J. Mackenzie is a Gaelic singer who has advanced not only Gaelic music but Gaelic culture and art in general. Her recorded output features a fine serving of Gaelic songs and singing, updated but not too modernized for our time. I have not been able to find her … Continue reading Artist Intro: Fiona J. Mackenzie
Album Review / Napier, Frame & Vass: The Ledger
"Every week in the late ’50s and early ’60s The Scotsman published a traditional Scottish folk song with lyrics and melody alongside an explanatory article by folklorist Norman Buchan. My Grandfather, Findlay Cumming, cut them out of the newspaper and pasted them into a ledger..." Those are Findlay Napier's words on Bandcamp, telling how he, … Continue reading Album Review / Napier, Frame & Vass: The Ledger
Album Review / Sam Sweeney: Unearth Repeat
Wood. Living, rough, hewn, shaped into houses, burned for warmth we need. People and their stories; villages and towns and other places they live in. People whose language I don’t always speak but we understand each other anyway. Those are the feelings and mental images I get from British fiddler Sam Sweeney’s new album Unearth … Continue reading Album Review / Sam Sweeney: Unearth Repeat
Album Review / Joy & Andrew Dunlop: Dithis
The vastly gifted Scottish siblings have released their first album together. They have collaborated more before on Joy’s albums but this is the first full joint release. Joy naturally takes care of all vocals and Andrew, a classical pianist, brings in a few other instruments to color his beautiful piano performance. I have to admit … Continue reading Album Review / Joy & Andrew Dunlop: Dithis
Quick Take Album Review / Muireann Nic Amhlaoibh: Thar Toinn (Seaborne)
I think at 28 minutes, Thar Toinn is actually an extended EP rather than an album, but that’s just semantics. Although the unusual playing time does in my mind correlate with the somewhat laid back feeling of the music. I have very much enjoyed her outings from recent years, An Uair Bhig An Lae (2012) … Continue reading Quick Take Album Review / Muireann Nic Amhlaoibh: Thar Toinn (Seaborne)
Album Review / James Elkington: Ever-Roving Eye
Let’s take care of one thing first. So okay, Mr. Elkington has lived in the US for over 20 years but he is from England and his music has a definite connection to British folk roots, so this album is just fine to be reviewed here. Right, then. I also wanted to review it because … Continue reading Album Review / James Elkington: Ever-Roving Eye
Coming back to music
I have been away from this blog for a while. The reasons are three: the fuckin’ virus, the day job, the first part of my summer vacation. The first two reasons suck, the third does not. Even if we here in Finland have been spared the worst of the Covid-19 attack - thanks to a … Continue reading Coming back to music
Album Review / Sam Carter: Home Waters
Times have changed... Four years after Sam Carter’s London-themed How The City Sings comes his new album, Home Waters. It tells a different kind of story: floods rise, storms both natural and political threaten to rip society’s fabric apart, disaster survivors try to cope. But there are also bittersweet memories, slow waves and domestic sanctuaries. … Continue reading Album Review / Sam Carter: Home Waters
