It's always super nice to discover by chance artists you have never heard of and find out they're great! That's what's happened to me this week when I came across the North American fiddle/cello combo of Jocelyn Pettit and Ellen Gira. They are 2024 Canadian Folk Music Award Winners so it's high time I became … Continue reading Pettit & Gira’s “Here to Stay”: winning fiddle/cello mastery with excellent tunes
Category: Artists – E
Kennedy & O’Leary’s “Hydra” is not a beast, it’s a beauty
I was delighted to witness Nuala Kennedy and Eamon O'Leary perform at the Edinburgh TradFest 2022. It was an intimate and lively set and I well remember the warm atmosphere and the brilliant musicianship of these Irish masters. And now they have released an absolutely magical album. I believe this is the first time they … Continue reading Kennedy & O’Leary’s “Hydra” is not a beast, it’s a beauty
Rob Harbron & Emma Reid: Flock & Fly (2016)
Oh summer! How I long for it now, in March, when the Finnish winter refuses to exit... That's what I thought when listening to Flock & Fly, this music played by concertina and fiddle, with British and Swedish tunes mostly trad (I think), no extra frills and unnecessary fuss. The music paints in my mind … Continue reading Rob Harbron & Emma Reid: Flock & Fly (2016)
Emily Portman & Rob Harbron: Time Was Away
I have absolutely adored Emily Portman's previous albums, Hatchling (2012) and Coracle (2015). They presented a very original artist whose outwardly fragile voice contains immense strength and whose music integrates traditional British folk elements into a unique, dreamlike soundscape, with lyrics to match. I totally loved them both and I am very happy to say … Continue reading Emily Portman & Rob Harbron: Time Was Away
Elizabeth Davidson-Blythe & Daniel Quayle: The Coast Road
I had never heard of Elizabeth Davidson-Blythe before and no wonder: she is a young American fiddler whose first album, The Coast Road, a collaboration with guitarist Daniel Quayle, was only recently released. But I will be very much surprised if I will not hear of her much more in the future, since The Coast … Continue reading Elizabeth Davidson-Blythe & Daniel Quayle: The Coast Road
What I listened to in the summer of ’22, part 2: Dave Sheridan, AVA
Two Irish 🇮🇪 artists that got my attention this summer are very different; one established and trad, the other fairly new and decidedly not trad.The master flautist Dave Sheridan’s two albums, Sheridan’s Guest House (2006) and Drivin’ Leitrim Timber (2010) were a great delight. As the Celtic scene is brim full of good trad music, … Continue reading What I listened to in the summer of ’22, part 2: Dave Sheridan, AVA
Listening Diary for June 6-12, 2022: Natalie MacMaster, Mishra, James Harper, the olllam, Eabhal
Master fiddlers are one of my favorite things in this world and Natalie MacMaster 🇨🇦 is one of the greatest. I love the energy in her playing; so much light and joy there. Her 2019 album Sketches was just the right soundtrack for a leisurly walk in the sunny and warm Finnish Saturday. I've never … Continue reading Listening Diary for June 6-12, 2022: Natalie MacMaster, Mishra, James Harper, the olllam, Eabhal
Listening diary for May 23-29, 2022
If anything here seems interesting, go to your streaming service and try it out. And if you really, really like it, go to the artist’s web site or Bandcamp or iTunes or Google Play or Amazon or wherever and buy it in your preferred format - musicians need food too 😉 The Halton Quartet: Based … Continue reading Listening diary for May 23-29, 2022
Album Review / The Elephant Sessions: What Makes You
The third album from the premier merchants of Celtic Funk continues the band's admirable evolution. From the more Trad-rooted debut The Elusive Highland Beauty to the tight'n'snappy funk of All We Have Is Now, the road has now led to a cooler approach where the funk is very controlled, less is more and electronics and … Continue reading Album Review / The Elephant Sessions: What Makes You
Album Review / Eabhal: This Is How The Ladies Dance
I noticed Eabhal back in 2016 when I happened to hear their debut EP. It was a solid showing of potential in the field of Scottish trad, far from a beginner's first unsteady efforts. It took a while for a full album to appear but here it is, and well worth checking out. A casual … Continue reading Album Review / Eabhal: This Is How The Ladies Dance
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