Salt House hits another 10/10 with “Scarrow”

Scarrow - faint light, reflection, the shadow of a crow or hill, the faint light from a wall. Something gleaming intermittently or indistinctly.ˈska(ˌ)rō. plural -s. Scots. Salt House's previous album, Riverwoods, was one of my absolute favorites of 2023, an utterly entracing, beautiful work that radiated nature in music. A couple of years have passed … Continue reading Salt House hits another 10/10 with “Scarrow”

The waiting is over for Socks in the Frying Pan

Jeez, it's almost a decade since the previous studio album from Ireland's brilliant Socks in the Frying Pan. I believe they've been otherwise active all these years, though, and when inspiration finally came and they headed for the studio, Waiting For Inspiration came out sounding fresh and vibrant late last year. In the cover photo, … Continue reading The waiting is over for Socks in the Frying Pan

Looking back on Seamus Egan’s “When Juniper Sleeps” (1996) and “Early Bright” (2019)

I just listened to two albums by Seamus Egan back to back: When Juniper Sleeps and Early Bright. The former is from 1996 and the latter was released in 2019. The difference between the two works is remarkable. Incidentally or not, the time that separates the two albums is almost exactly the timeframe of the … Continue reading Looking back on Seamus Egan’s “When Juniper Sleeps” (1996) and “Early Bright” (2019)

In touch with nature: “Riverwoods” by Salt House

This is one of my "better late" reviews, as I was unable to listen to much music when this was released in the spring. I have enjoyed the previous Salt House releases but hear ye now: Riverwoods is simply amazing. Not because it's grand or crushingly impressive - it's because it's there. The album's info … Continue reading In touch with nature: “Riverwoods” by Salt House

An (almost) epic Irish double feature: Muireann Nic Amhlaoibh, Seo Linn

As dedicated and committed as Ireland is to her traditional music, Irish folk and trad musicians do move with the times. It’s been a great couple of days listening to two very different albums by Irish artists with their own vision. Muireann Nic Amhlaoibh and the Irish Chamber Orchestra’s Róisín ReImagined was released a few … Continue reading An (almost) epic Irish double feature: Muireann Nic Amhlaoibh, Seo Linn

Double Irish: The London Lasses, Seo Linn

A quick one this time. Just so happened over the weekend that two Irish albums - one brand new, the other almost six years old - floated into my headphones. Both are much fun so I bundled them up here. I had never heard of The London Lasses but as their new album is called … Continue reading Double Irish: The London Lasses, Seo Linn

Celtic Connections 2023: Carty & McGoldrick, Ryan Young, Sarah Markey

Tuesday night, Jan 31, saw a feast of fully acoustic Celtic music at the RCH Strathclyde Suite. The excellent flute player Sarah Markey opened the evening with a solid set of Irish and Scottish tunes - very nice! The headliners, John Carty and Mike McGoldrick, were as good as you’d expect; it’s always a pleasure … Continue reading Celtic Connections 2023: Carty & McGoldrick, Ryan Young, Sarah Markey

Celtic Connections 2023: Ross & Ali Trio, with Startijenn and Beinn Lee

The evening of Sunday 29th at St Luke’s was a nicely balanced three-layer cake of music. We caught most of the Hebrides band Beinn Lee’s set and were duly delighted and entertained by the solid performance. Their trad stylings lean occasionally towards pop and, for me, it sometimes works for them and sometimes not so … Continue reading Celtic Connections 2023: Ross & Ali Trio, with Startijenn and Beinn Lee

Album Review / Sam Sweeney: Unearth Repeat

Wood. Living, rough, hewn, shaped into houses, burned for warmth we need. People and their stories; villages and towns and other places they live in. People whose language I don’t always speak but we understand each other anyway. Those are the feelings and mental images I get from British fiddler Sam Sweeney’s new album Unearth … Continue reading Album Review / Sam Sweeney: Unearth Repeat

Album Review / Sam Carter: Home Waters

Times have changed... Four years after Sam Carter’s London-themed How The City Sings comes his new album, Home Waters. It tells a different kind of story: floods rise, storms both natural and political threaten to rip society’s fabric apart, disaster survivors try to cope. But there are also bittersweet memories, slow waves and domestic sanctuaries. … Continue reading Album Review / Sam Carter: Home Waters